Ok, so you know how paint was going really well… Well now it’s not. We have now moved on from learning techniques, do using those techniques to come up with our own post-modern (as that’s the current era of art we are in) painting. I’m trying to do dancers, because that’s what I know… But every sketch I do just isn’t coming out right. My professor is trying to get me draw influence from the futurist painters. But I’m still having trouble. Every sketch I show him isn’t quite what he’s looking for. I tried going down to the art library to find a folio of futurist art, but guess what… It’s no where to be found. The catalog system says that it is shelved, but is it on the shelf? Nope. Is it on one of the reshelving carts? Nope. The clerk at the desk said she would have someone contact me once they find it, but right now I don’t have a lot of faith.
I completely understand why my teach is pushing me towards a more futurism approach to my painting. The futurists really focused on creating movement in their works. Futurism came out of the Cubist movement. The Cubists wanted to showcase every side of the image they were painting. Futurists, however, wanted to show that thing in motion. One of the more famous paintings is the dog walking on the leash.
As you can see in this painting, the dog, the leash, and the feet all are in the various stages of walking. You can see the progression from one end of the canvas to the other. My professor wants me to lean towards this style of painting, but be even more abstract. He is especially pushing me this way since I am not the greatest drawer in the world. In fact, drawing is my weakest area of the art world. Thank goodness I love photography, right? Hopefully I can come up with something soon, as I have until the end of the semester to come up with 2 more paintings, including the current one I’m working on now.
The reason I’m spending so much time on my sketches is because he commented that was the weakest part of my Mid-Term Review. He stated that he wanted me to work more on my sketches so that I have a clearer and more precise map for the canvas itself. And he’s completely right. If you have a really good road map on the small scale, the larger scale will go so much faster, and will turn out better in the end. I hope I can come up with some really good final sketches soon so I don’t fall too far behind.