Hello everyone! I hope you all have had a good week. So yet again, I am still further in painting than the other two studio classes that I am taking at the moment. In photography we shot one color roll so far just to make sure our camera’s work. I knew mine did but I had to shoot it anyway. I had the film developed at a CVS and they totally messed it up. The paper they used was fogged, meaning the pictures, though taken with a working camera and with sa person who is used to taking photos on full manual, looked under exposed. This made me incredibly angery, but I’m moving on. Also I learned the lense I used for this role is meant only for my digital camera. It causes a vignetting around the image. Lesson learned there. If you would like, I can make a serpate post about those two errors.
As for digital media, things are going slow. I am really not used to creating a whole new image out of nothing with photoshop. What this project entails is taking 5 scanned objects and turning them into a completely different composition. We need 3 of these compositions, meaning 15 total scanned objects. We have a critique next Wednesday and I am worried about it. I am really at a loss of what to do. But hopefully this weekend I can figure it out.
Okay, on to my painting class. On Tuesday we had to turn in the sketches that I had posted on last week. We also started on the 18×24″ canvas on Tuesday as well. I started out taking vine charcole, which is meant for use on canvas and paint, to get the general sketch out on the canvas. Then my professor came over, approved of my small scale sketch as told me to make the shoes on the canvas much, much bigger in order to really activate the canvas and the compostition.
This is just the start out the outline I did in vine charcole. You can see all the renditions I did before I was satisfied with how it looked as a sketch. Next we started on the cartoon. Now this isn’t the normal type of cartoon you would normal think of in the newspaper. In painting, cartooning is laying on a layer of black paint, and only black paint. Now you may say, “Well, what’s the point of adding only black? Wouldn’t that that just make your canvas one giant blob of black that would destroy your sketch?” My answer, no. In cartooning, you dilute the paint, acryllic in this case, with medium. Medium is a viscus fluid that thins the paint and evenly distributes the pigment. Using only water to thin the paint would not distribute the pigment evenly. We cartoon the image in order to let the white stand out when we paint over the cartoon. It gives the white paint a chance to pop, instead of blending in with the white canvas.
This image is of the beginning of the cartoon I did for this project. You can see a greyscale come out. This is from strict black paint, with only medium added. Today, I finished the cartoon and I started to add the first layer of paint to the image. We started out with figuring out where our blackest blacks would go, and then moving up the greyscale from there, all the way to the whitest white. I had a basic idea of where I wanted to go. As you know, I really do love putting movement, or the idea of movement in my art work. So I really wanted to explore that in this painting. So I really let the brush strokes come through. I tried not to blend them together, and just let the paint and the brush dictate the movement in the painting. I think I am really starting to get that down in the painting. I still need to work on the painting a bit more. I think we are still working on it through next week, so we shall see where I decide to go with it. Below is where I left off today before I left class. Let me know what you think in the comments!
- Painting Sketch (picturelinephotography.wordpress.com)